Graphic technology and photography - Colour characterization of digital still cameras (DSCs) - Part 3: User controls and readouts for scene-referred imaging applications

ISO/TR 17321-3:2017 provides guidelines for user controls and readouts employed in scene-referred capture processing modes implemented in digital cameras and camera raw processing software.

Technologie graphique et photographie — Caractérisation de la couleur des appareils photonumériques — Partie 3: Contrôles utilisateur et lectures pour les applications d'imagerie par scène

General Information

Status
Published
Publication Date
26-Mar-2017
Technical Committee
ISO/TC 42 - Photography
Current Stage
6060 - International Standard published
Start Date
27-Mar-2017
Due Date
22-Sep-2018
Completion Date
22-Sep-2018

Overview

ISO/TR 17321-3:2017 provides guidance for user controls and readouts used in a scene-referred (SR) capture processing mode for digital still cameras (DSCs) and camera-raw processing software. The technical report defines how cameras and raw processors should present scene-referred information (colour encodings, readouts and mode indications) to help users produce colourimetrically accurate images of scenes and objects in controlled capture situations such as studio, reprographic and archival workflows.

Key topics and requirements

  • SR capture intent: SR mode is intended for accurate scene colourimetry and is best used under controlled illumination; it is not targeted at general pictorial photography.
  • Colour encodings & file format: Use scene-referred encodings (examples in the text: scRGB and RIMM RGB) and communicate the chosen encoding via file format metadata (e.g., embedded ICC profile).
  • User readouts - L histogram: Present a CIE L histogram converted from scene-referred image values, displayed from “0” to “over 100” with main markers at L = 0, 50, 100* and sub-markers at 5 L* increments. Allow display of values above diffuse white (L* > 100) according to the encoding’s headroom.
  • Clear SR mode indication: The UI should show when SR mode is active (labels such as “scene‑referred” or “SR”) so users know whether they are in SR or output-referred workflows.
  • Raw processor guidelines: In SR mode the raw processor should convert raw files to scene-referred files with colour rendering disabled and use scene-referred encodings as defined in ISO 22028-1; it may accept recorded scene-adopted white (exposure/white balance) info.
  • Capture controls - white balance & exposure: Provide controls for custom white balance using a full-frame reference target or a selectable preview region. Exposure guidance is based on reflective charts with known L* patches (e.g., set camera so the L* = 95 white patch maps to L* = 95).

Applications and users

This guidance is practically valuable for:

  • Imaging specialists in archives, museums and cultural heritage digitization
  • Artwork reproduction and reprographic photographers
  • Camera manufacturers and firmware designers implementing SR capture modes
  • Developers of camera-raw processing and image-management software
  • Labs requiring traceable, colourimetrically accurate scene data for analysis or long-term preservation

Benefits include improved reproducibility of scene colours, clearer user feedback for exposure and white balance in SR workflows, and predictable interchange of scene-referred image files.

Related standards

Relevant documents cited by ISO/TR 17321-3:2017 include:

  • ISO 17321-1, ISO/TR 17321-2 (camera characterisation and scene analysis)
  • ISO/TS 22028-3 (RIMM RGB) and ISO 22028-1 (extended encodings)
  • IEC 61966-2-2 (scRGB)
  • ISO/TS 19264-1 (imaging quality for archives)
  • ISO 15076-1 (ICC profile/colour management architecture)

Keywords: ISO/TR 17321-3:2017, scene-referred, SR mode, digital still cameras, colour characterization, L* histogram, scRGB, RIMM RGB, raw processor, ICC profile, archival imaging.

Technical report

ISO/TR 17321-3:2017 - Graphic technology and photography — Colour characterization of digital still cameras (DSCs) — Part 3: User controls and readouts for scene-referred imaging applications Released:3/27/2017

English language
5 pages
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Frequently Asked Questions

ISO/TR 17321-3:2017 is a technical report published by the International Organization for Standardization (ISO). Its full title is "Graphic technology and photography - Colour characterization of digital still cameras (DSCs) - Part 3: User controls and readouts for scene-referred imaging applications". This standard covers: ISO/TR 17321-3:2017 provides guidelines for user controls and readouts employed in scene-referred capture processing modes implemented in digital cameras and camera raw processing software.

ISO/TR 17321-3:2017 provides guidelines for user controls and readouts employed in scene-referred capture processing modes implemented in digital cameras and camera raw processing software.

ISO/TR 17321-3:2017 is classified under the following ICS (International Classification for Standards) categories: 37.040.10 - Photographic equipment. Projectors. The ICS classification helps identify the subject area and facilitates finding related standards.

ISO/TR 17321-3:2017 is available in PDF format for immediate download after purchase. The document can be added to your cart and obtained through the secure checkout process. Digital delivery ensures instant access to the complete standard document.

Standards Content (Sample)


TECHNICAL ISO/TR
REPORT 17321-3
First edition
2017-04
Graphic technology and
photography — Colour
characterization of digital still
cameras (DSCs) —
Part 3:
User controls and readouts for scene-
referred imaging applications
Technologie graphique et photographie — Caractérisation de la
couleur des appareils photonumériques —
Partie 3: Contrôles utilisateur et lectures pour les applications
d’imagerie par scène
Reference number
©
ISO 2017
© ISO 2017, Published in Switzerland
All rights reserved. Unless otherwise specified, no part of this publication may be reproduced or utilized otherwise in any form
or by any means, electronic or mechanical, including photocopying, or posting on the internet or an intranet, without prior
written permission. Permission can be requested from either ISO at the address below or ISO’s member body in the country of
the requester.
ISO copyright office
Ch. de Blandonnet 8 • CP 401
CH-1214 Vernier, Geneva, Switzerland
Tel. +41 22 749 01 11
Fax +41 22 749 09 47
copyright@iso.org
www.iso.org
ii © ISO 2017 – All rights reserved

Contents Page
Foreword .iv
Introduction .v
1 Scope . 1
2 Normative references . 1
3 Terms and definitions . 1
4 Design of scene-referred (SR) capture processing mode . 1
4.1 General . 1
4.2 Processing aims . 1
4.3 Colour encoding and file format . 1
4.4 User readouts . 2
4.5 Indication of SR mode . 2
4.6 Guideline for raw processor . 2
Annex A (informative) Guidelines for capture using scene-referred (SR) capture
processing mode . 3
Bibliography . 5
Foreword
ISO (the International Organization for Standardization) is a worldwide federation of national standards
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electrotechnical standardization.
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described in the ISO/IEC Directives, Part 1. In particular the different approval criteria needed for the
different types of ISO documents should be noted. This document was drafted in accordance with the
editorial rules of the ISO/IEC Directives, Part 2. www .iso .org/ directives
Attention is drawn to the possibility that some of the elements of this document may be the subject of
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on the ISO list of patent declarations received. www .iso .org/ patents
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URL: http:// www .iso .org/ iso/ foreword .html
This document was prepared by Technical committee ISO/TC 42, Photography.
A list of all the parts in the ISO 17321 series can be found on the ISO website.
iv © ISO 2017 – All rights reserved

Introduction
Pictorial photography by and large produces images that convey the specific artistic intent of the
photographer. The intent might convey a complex artistic vision, or it might simply attempt to create
images that are generally pleasing to viewers. Other types of photography, such as the reproduction
of images of artworks and other objects for archival purposes and the reproduction of images for
scientific measurement and analysis, reproduce images that require an accurate representation of
the scene captured, where accuracy is measured in terms of relative colourimetry or adapted relative
colourimetry (for cases where viewer adaptation differs when looking at the correctly reproduced
image and when looking at the actual scene).
Images for pictorial photography are typically processed with an output-referred representation on some
medium. In the case of film, the medium is often a photographic print or transparency. In the case of
digital capture, the output characteristics are specified and communicated either by the identification
of a standard reference medium, such as sRGB or ROMM RGB, or by the inclusion of an output-intent ICC
profile.
Output-referred images are often not colourimetrically accurate photographic reproductions of the
actual scene or object because
— scenes vary widely in their highlight-to-midtone and midtone-to-shadow luminance rations, in their
colour gamuts, and in other characteristics,
— output media vary widely in their colour gamuts and their luminance range capabilities, and
— pictorial photographers choose output media whose characteristics complement their artistic intent.
While scene-referred (SR) images, that is, colourimetrically accurate images of scenes and objects, are
required, it is difficult to obtain colourimetrically accurate images of scenes and objects.
Digital archiving facilities sometimes use targets to create ICC profiles to invert the colour processing
from output-referred images to scene-referred images. This approach is commonly used, but it has
significant drawbacks:
a) characterization charts do not always represent the actual spectra to be captured;
b) the camera colour processing and chart used can limit the colour gamut and dynamic range of the
resulting scene-referred images;
c) precise exposure control is difficult because the camera and image readouts typically reflect the
state of the image prior to application of the ICC profile;
d) some cameras employ colour processing that is image dependent when producing output-
referred images.
In this last case the ICC profile determined with the chart is only likely to be accurate when
photographing the chart itself.
It is also possible to obtain scene-referred images by converting camera raw images using camera raw
processing software. This approach is technically more sound than creating scene-referred images
from output-referred images, but there are still issues:
— commercial camera raw processing tends to be focused on creating output-referred images;
— open-source software tends to be complex;
— additional software is often needed to convert the scene-referred image data to standard scene-
referred colour encodings.
Users need simple and clear camera
...

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