Digital cinema (D-cinema) distribution master - Part 11: Additional frame rates

ISO 24628-11:2011 defines additional frame rates for digital cinema of 25, 30, 50 and 60 frames per second. These additional frame rates supplement the primary frame rates of 24 and 48 frames per second and are defined in order to ensure that the artistic intent of the content producer can be maintained at the point of delivery. ISO 24628-11:2011 defines the image characteristics of the additional frame rates individually at 25, 30, 50 and 60 frames per second, and also defines the resulting audio samples per edit unit.

Souche de la distribution du cinéma numérique (cinéma D) — Partie 11: Cadences de prise de vue supplémentaire

General Information

Status
Published
Publication Date
06-Dec-2011
Technical Committee
Drafting Committee
Current Stage
9093 - International Standard confirmed
Start Date
22-Jun-2022
Completion Date
13-Dec-2025
Ref Project

Overview

ISO 26428-11:2011, titled Digital Cinema (D-cinema) Distribution Master - Part 11: Additional Frame Rates, is an international standard developed by ISO to define supplementary frame rates for digital cinema content delivery. Supplementing the primary frame rates of 24 and 48 frames per second (fps), this standard specifies additional frame rates of 25, 30, 50, and 60 fps. These are established to maintain the artistic intent of content producers during digital cinema distribution, ensuring accurate and consistent playback.

Developed in cooperation with the Society of Motion Picture and Television Engineers (SMPTE), ISO 26428-11:2011 supports extended use of digital cinema technologies by defining technical parameters for these additional frame rates, including the corresponding image characteristics and audio sample rates per edit unit. This facilitates compatibility and interoperability within the digital cinema ecosystem.

Key Topics

  • Additional Frame Rates: The standard defines four new frame rates beyond the primary 24 and 48 fps. These frame rates are 25, 30, 50, and 60 fps.

  • AFR Levels: Additional Frame Rate (AFR) levels are specified to align maximum horizontal and vertical pixel dimensions with each additional frame rate, forming a structured system for implementation:

    • AFR Level 1: 4096 x 2160 pixels at 25 fps
    • AFR Level 2: 2048 x 1080 pixels at 25 fps
    • AFR Level 3: 4096 x 2160 pixels at 30 fps
    • AFR Level 4: 2048 x 1080 pixels at 30 fps
    • AFR Level 5: 2048 x 1080 pixels at 50 fps
    • AFR Level 6: 2048 x 1080 pixels at 60 fps
  • Audio Sample Rates: Audio samples per edit unit are specified based on frame rate and audio sampling frequency (48 kHz or 96 kHz), ensuring precise synchronization between video frames and audio data.

  • Conformance and Compatibility: The standard outlines conformance notations, defining requirements ("shall"), recommendations ("should"), and optional elements ("may") for implementers. It maintains alignment with other parts of the SMPTE ISO 26428 suite, specifically SMPTE 428-1 (image characteristics) and 428-2 (audio characteristics).

Applications

ISO 26428-11:2011 is essential for digital cinema professionals including content producers, post-production houses, cinema distributors, and projection system manufacturers who require:

  • Accurate Artistic Rendering: Support for varying frame rates preserves directors' and cinematographers' artistic choices, especially when films are produced in non-standard frame rates aligned with regional broadcast standards (e.g., 25 fps in PAL regions).

  • Interoperable D-Cinema Delivery: Enables interoperability across digital cinema delivery platforms, ensuring that theaters worldwide can project content at supported frame rates while maintaining audio-video integrity.

  • Flexible Production Pipelines: Facilitates production workflows involving a variety of equipment and regional standards, allowing seamless integration of films shot at alternate frame rates without compromising quality or synchronization.

  • Enhanced Viewing Experience: Higher frame rates such as 50 and 60 fps accommodate smoother motion portrayal especially for action sequences and stereoscopic 3D, improving viewer immersion.

Related Standards

ISO 26428-11:2011 is part of a comprehensive suite of digital cinema standards ensuring consistent content distribution and playback. Relevant related standards include:

  • ISO 26428-1:2008 – Digital cinema distribution master, Part 1: Image characteristics (primary frame rates and image parameters).
  • ISO 26428-2:2008 – Digital cinema distribution master, Part 2: Audio characteristics.
  • ISO 26428-9:2009 – Digital cinema distribution master, Part 9: Image pixel structure and serial digital interface signal formatting.
  • ISO 26429-4:2008 – Digital cinema packaging, Part 4: MXF JPEG 2000 application.
  • ISO 26429-10:2009 – Digital cinema packaging, Part 10: Stereoscopic picture track file.

This standard interfaces with broader SMPTE standards like SMPTE 428-11 and supports evolving technologies in digital cinema production, distribution, and exhibition.


Keywords: ISO 26428-11, digital cinema, D-cinema, additional frame rates, 25 fps, 30 fps, 50 fps, 60 fps, SMPTE 428-11, digital cinema distribution master, AFR levels, digital cinema audio, edit unit, digital cinema standards.

Standard
ISO 26428-11:2011 - Digital cinema (D-cinema) distribution master
English language
7 pages
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Frequently Asked Questions

ISO 26428-11:2011 is a standard published by the International Organization for Standardization (ISO). Its full title is "Digital cinema (D-cinema) distribution master - Part 11: Additional frame rates". This standard covers: ISO 24628-11:2011 defines additional frame rates for digital cinema of 25, 30, 50 and 60 frames per second. These additional frame rates supplement the primary frame rates of 24 and 48 frames per second and are defined in order to ensure that the artistic intent of the content producer can be maintained at the point of delivery. ISO 24628-11:2011 defines the image characteristics of the additional frame rates individually at 25, 30, 50 and 60 frames per second, and also defines the resulting audio samples per edit unit.

ISO 24628-11:2011 defines additional frame rates for digital cinema of 25, 30, 50 and 60 frames per second. These additional frame rates supplement the primary frame rates of 24 and 48 frames per second and are defined in order to ensure that the artistic intent of the content producer can be maintained at the point of delivery. ISO 24628-11:2011 defines the image characteristics of the additional frame rates individually at 25, 30, 50 and 60 frames per second, and also defines the resulting audio samples per edit unit.

ISO 26428-11:2011 is classified under the following ICS (International Classification for Standards) categories: 35.040 - Information coding; 35.040.40 - Coding of audio, video, multimedia and hypermedia information; 37.060.99 - Other standards related to cinematography. The ICS classification helps identify the subject area and facilitates finding related standards.

You can purchase ISO 26428-11:2011 directly from iTeh Standards. The document is available in PDF format and is delivered instantly after payment. Add the standard to your cart and complete the secure checkout process. iTeh Standards is an authorized distributor of ISO standards.

Standards Content (Sample)


INTERNATIONAL ISO
STANDARD 26428-11
First edition
2011-12-15
Digital cinema (D-cinema) distribution
master —
Part 11:
Additional frame rates
Souche de la distribution du cinéma numérique (cinéma D) —
Partie 11: Cadences de prise de vue supplémentaire

Reference number
©
ISO 2011
©  ISO 2011
All rights reserved. Unless otherwise specified, no part of this publication may be reproduced or utilized in any form or by any means,
electronic or mechanical, including photocopying and microfilm, without permission in writing from either ISO at the address below or
ISO's member body in the country of the requester.
ISO copyright office
Case postale 56  CH-1211 Geneva 20
Tel. + 41 22 749 01 11
Fax + 41 22 749 09 47
E-mail copyright@iso.org
Web www.iso.org
Published in Switzerland
ii © ISO 2011 – All rights reserved

Foreword
ISO (the International Organization for Standardization) is a worldwide federation of national standards bodies
(ISO member bodies). The work of preparing International Standards is normally carried out through ISO
technical committees. Each member body interested in a subject for which a technical committee has been
established has the right to be represented on that committee. International organizations, governmental and
non-governmental, in liaison with ISO, also take part in the work. ISO collaborates closely with the
International Electrotechnical Commission (IEC) on all matters of electrotechnical standardization.
International Standards are drafted in accordance with the rules given in the ISO/IEC Directives, Part 2.
The main task of technical committees is to prepare International Standards. Draft International Standards
adopted by the technical committees are circulated to the member bodies for voting. Publication as an
International Standard requires approval by at least 75 % of the member bodies casting a vote.
Attention is drawn to the possibility that some of the elements of this document may be the subject of patent
rights. ISO shall not be held responsible for identifying any or all such patent rights.
ISO 26428-11 was prepared by the Society of Motion Picture and Television Engineers (as
SMPTE 428-11-2009) and was adopted, under a special “fast-track procedure”, by Technical Committee
ISO/TC 36, Cinematography, in parallel with its approval by the ISO member bodies.
ISO 26428 consists of the following parts, under the general title Digital cinema (D-cinema) distribution
master:
 Part 1: Image characteristics [equivalent to SMPTE 428-1]
 Part 2: Audio characteristics [equivalent to SMPTE 428-2]
 Part 3: Audio channel mapping and channel labeling [equivalent to SMPTE 428-3]
 Part 7: Subtitle [equivalent to SMPTE 428-7]
 Part 9: Image pixel structure level 3 — Serial digital interface signal formatting [equivalent to
SMPTE 428-9]
 Part 11: Additional frame rates [equivalent to SMPTE 428-11]
 Part 19: Serial digital interface signal formatting for additional frame rates level AFR2 and level AFR4
[equivalent to SMPTE 428-19]
Introduction
This part of ISO 26428 comprises SMPTE 428-11-2009 and Annex ZZ (which provides equivalences between
ISO standards and SMPTE standards referenced in the text).

iv © ISO 2011 – All rights reserved

SMPTE 428-11-2009
SMPTE STANDARD
Additional Frame Rates
for D-Cinema
Page 1 of 6 pages
Table of Contents      Page

Foreword . 2
Intellectual Property . 2
Introduction . 2
1  Scope . 3
2  Conformance Notation . 3
3  Normative References . 3
4  Glossary of Acronyms and Terms. 4
5  Additional Frame Rate Values . 4
5.1  Definition of AFR Levels . 4
5.2  D-Cinema Sound Sample Rates. 5
Annex A  Bibliography (Informative) . 6

Approved
MOTION PICTURE AND TELEVISION ENGINEERS
April 15, 2009
3 Barker Avenue, White Plains, NY 10601
(914) 761-1100
SMPTE 428-11-2009
Foreword
SMPTE (the Society of Motion Picture and Television Engineers) is an internationally-recognized standards
developing organization. Headquartered and incorporated in the United States of America, SMPTE has
members in over 80 countries on six continents. SMPTE’s Engineering Documents, including Standards,
Recommended Practices and Engineering Guidelines, are prepared by SMPTE’s Technology Committees.
Participation in these Committees is open to all with a bona fide interest in their work. SMPTE cooperates
closely with other standards-developing organizations, including ISO, IEC and ITU.

SMPTE Engineering Documents are drafted in accordance with the rules given in Part XIII of its
Administrative Practices.
SMPTE Standard 428-11 was prepared by Technology Committee 21DC.

Intellectual Property
At the time of publication no notice had been received by SMPTE claiming patent rights essential to the
implementation of this [Standard/Recommended Practice]. However, attention is drawn to the possibility that
some of the elements of this document may be the subject of patent rights. SMPTE shall not be held
responsible for identifying any or all such patent rights.

Introduction
This section is entirely informative and does not form an integral part of this Engineering Document.

The frame rates currently standardized by the DC28 D-Cinema Technology Committee are 24 and 48 frames
per second (fps).
The history of film making is littered with other frame rates ranging from less than 16 fps to 60 fps and beyond
and there is considerable support for the making of films using readily available equipment made specifically
for the film production market.

This standard defines how implementations that conform to the D-Cinema specifications can be extended to
support the additional frame rates of 25 fps, 30 fps, 50 fps and 60 fps.

Page 2 of 6 pages
SMPTE 428-11-2009
1 Scope
...

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